Epson Software Film Factory v2.5 Specifications

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The Digital Fine Print
Course Notes
2012
Copyright Les Walkling 2012
Adobe Photoshop screen shots reprinted with permission
from Adobe Systems Incorporated.
Version 2012:01
Page view 0
1 2 3 4 5 6 ... 49 50

Summary of Contents

Page 1 - Course Notes

The Digital Fine Print Course Notes2012Copyright Les Walkling 2012Adobe Photoshop screen shots reprinted with permissionfrom Adobe Systems Incorporate

Page 2

The Digital Fine Print CourseEditing a Fine PrintColour Correction ToolsTo fully colour correct an image control is needed over six variables:1. Hue2

Page 3 - Creating a Fine Print

The Digital Fine Print CourseEditing a Fine PrintDensity Range:Density range refers to the tonal or brightness range of the image and is not the same

Page 4

The Digital Fine Print CourseEditing a Fine PrintCopyright Les Walkling 201212/50Converting Colour Images to GreyscaleThere are at least five methods

Page 5

The Digital Fine Print CourseEditing a Fine PrintAltered LuminosityThe luminosity of an image is our perception of the relative lightness and darkness

Page 6

The Digital Fine Print CourseEditing a Fine PrintAdvanced Greyscale WorkflowThere are three typical stages or adjustment layers in an advanced greysca

Page 7

The Digital Fine Print CourseEditing a Fine PrintColourizing Monochrome ImagesA monochrome RGB image can be colorized (toned) by many method

Page 8

The Digital Fine Print Course Editing a Fine PrintCopyright Les Walkling 201216/50Understanding Unsharp MaskingSharpening (and blurring) effects are p

Page 9

The Digital Fine Print CourseEditing a Fine PrintAdvanced Unsharp MaskingPhotoshop’s Unsharp Mask filter increases edge contrast and therefore apparen

Page 10 - The Digital Fine Print Course

The Digital Fine Print CourseEditing a Fine PrintImage PosterizationPractical experimentation alerts us to the fact that a minimum number of levels of

Page 11

The Digital Fine Print CourseEditing a Fine PrintMinimising Image PosterizationPosterization can be minimised (and therefore the illusion of smooth ph

Page 12

The Digital Fine Print CourseCopyright Les Walkling 2012CONTENTSPart 1: Creating a Fine Print• Printer Resolution 4• Image Resolution 5• Multi-Colo

Page 13

The Digital Fine Print CourseEditing a Fine PrintReducing Noise and Artifacts in Scanned ImagesA digital print from a scanned negative will often exhi

Page 14

The Digital Fine Print CourseCopyright Les Walkling 201221/50Part 3Refining a Fine Print

Page 15

The Digital Fine Print CourseRefining a Fine PrintPrint LuminosityA fine print is the fine transformation of subject that matters.Copyright Les Walkli

Page 16 - Editing a Fine Print

The Digital Fine Print CourseRefining a Fine PrintCopyright Les Walkling 201223/50Basic Layer MasksLayer masks control the local distribution of t

Page 17

The Digital Fine Print CourseRefining a Fine PrintCopyright Les Walkling 201224/50Blending Adjustment LayersMany of ‘Photoshop > Image > Adju

Page 18

The Digital Fine Print CourseRefining a Fine PrintCopyright Les Walkling 201225/50Working in L*a*b*One of the advantages of working in the CIE LAB

Page 19

The Digital Fine Print CourseRefining a Fine PrintOut of Gamut ColoursSaturated colours such as the green paint of this car can be accurately captured

Page 20

The Digital Fine Print CourseRefining a Fine PrintEditing Out of Gamut ColoursWhenever the Perceptual gamut mapping intent in a destination profile fa

Page 21 - Refining a Fine Print

The Digital Fine Print CourseRefining a Fine PrintLobster - Totally Independent Tone and Colour CorrectionOn closer inspection via the Info Palette, P

Page 22

The Digital Fine Print CourseCopyright Les Walkling 201229/50Part 4Printing a Fine Print

Page 23

The Digital Fine Print CourseCopyright Les Walkling 20123/50Part 1Creating a Fine Print

Page 24

The Digital Fine Print CoursePrinting a Fine PrintCopyright Les Walkling 201230/50Photoshop CS™ Printing with Custom RGB Printer ProfilesSelect PRINT

Page 25

The Digital Fine Print CoursePrinting a Fine PrintCopyright Les Walkling 201231/50Photoshop CS2™ Printing with Custom RGB Printer ProfilesSelect PRINT

Page 26

The Digital Fine Print CourseCopyright Les Walkling 201232/50Photoshop CS3™ Printing with Custom RGB Printer Profiles:Select PRINT to layout the image

Page 27

The Digital Fine Print CourseCopyright Les Walkling 201233/50Mac OS X: Epson Printer Driver SettingsSelect the correct Printer Driver Settings and sav

Page 28

The Digital Fine Print CoursePrinting a Fine PrintCopyright Les Walkling 201234/50Windows: Printer Properties SettingsClicking on Windows’ Print dialo

Page 29 - Printing a Fine Print

The Digital Fine Print CoursePrinting a Fine PrintEpson K1, K2 and K3 InksetsEpson’s Ultrachrome inksets are available in three generations, K1, K2 &a

Page 30

The Digital Fine Print CoursePrinting a Fine PrintUnderstanding RIPsRIPS (Raster Image Processors), like printer drivers, are used to communi

Page 31

The Digital Fine Print CoursePrinting a Fine PrintImagePrint Fine Art RIPImage Print is quite unique among RIPs because it accepts RGB data and uses R

Page 32

The Digital Fine Print CoursePrinting a Fine PrintCopyright Les Walkling 201238/50QuadTone B&W RIPThe QuadTone RIP (www.quadtonerip.com) is also u

Page 33

The Digital Fine Print CoursePrinting a Fine PrintRIP Ink LimitingTraditional RIPs permit most printer functions to be customized and controll

Page 34

The Digital Fine Print CourseCreating a Fine PrintPrinter ResolutionThe standard units expressing digital image resolution, ppi (pixels per inch) and

Page 35

The Digital Fine Print CoursePrinting a Fine PrintRIP Linearization3. Once the media’s ink limits have been determined the next step is linearization.

Page 36

The Digital Fine Print CoursePrinting a Fine PrintRIP Profiling4. Once the printer has been ink limited and linearized for the new media, and the new

Page 37

The Digital Fine Print CoursePrinting a Fine PrintChanging Epson Black Ink Cartridges in Mac OS XTh Epson Stylus Photo printer driver under the

Page 38

The Digital Fine Print CourseCopyright Les Walkling 201243/50Part 5Viewing a Fine Print

Page 39

The Digital Fine Print CourseViewing a Fine PrintCopyright Les Walkling 201244/50Photoshop Soft Proofing with Custom Printer ProfilesFinal image adjus

Page 40

The Digital Fine Print CourseViewing a Fine PrintCopyright Les Walkling 201245/50Soft Proofing Light SourcesSoft proofing involves viewing, assessing

Page 41

The Digital Fine Print CourseViewing a Fine PrintCopyright Les Walkling 201246/50Solux LampsLight sources such as SOLUX 12 volt 50 watt lamps

Page 42

The Digital Fine Print CourseViewing a Fine PrintFluorescent LampsThere are a number of fluorescent lamps available that employ a large numbe

Page 43 - Viewing a Fine Print

The Digital Fine Print CourseViewing a Fine PrintCopyright Les Walkling 201248/50Soft Proofing RequirementsFor softproofing to be a dependable and use

Page 44

The Digital Fine Print CourseViewing a Fine PrintInk InconstancyInk inconstancy is where the relationship between colours alters, sometimes drasticall

Page 45

The Digital Fine Print CourseCreating a Fine PrintImage ResolutionThe optimum pixel resolution of a print is dependent on the printing medium, the int

Page 46

The Digital Fine Print CourseReferencesCopyright Les Walkling 201250/50BibliographyDeWolfe, G. (2006), George DeWolfe's Digital Photography Fine

Page 47

The Digital Fine Print Course Creating a Fine PrintImage ResolutionThe following Bill Beath landscape image was re scanned at the same physical size b

Page 48

The Digital Fine Print CourseCreating a Fine PrintMulti-Colour PrintingCareful examination of CMYK and CcMmYK(k) prints reveal significant differences

Page 49

The Digital Fine Print CourseCopyright Les Walkling 20128/50Part 2Editing a Fine Print

Page 50

The Digital Fine Print CourseEditing a Fine PrintCopyright Les Walkling 20129/50Four Compositions: Image Editing WorkflowAll images are composed o

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